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Shapiro 2006, pp.205–206 "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. [...] Remarkably, almost all of the important early DJs were of Italian extraction [...]. Italian Americans have played a significant role in America's dance music culture [...]. While Italian Americans mostly from Brooklyn largely created disco from scratch [...]."
Disco Cherry Print - Etsy UK Disco Cherry Print - Etsy UK
Jones, Alan and Kantonen, Jussi (1999). Saturday Night Forever: The Story of Disco. Chicago, Illinois: A Cappella Books. ISBN 978-1556524110. In the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America and Australia. [116] Early house music commercial success in Europe saw songs such as " Pump Up The Volume" by MARRS (1987), "House Nation" by House Master Boyz and the Rude Boy of House (1987), " Theme from S'Express" by S'Express (1988) and " Doctorin' the House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide. Echols, Alice (2010). Hot Stuff: Disco and the Remaking of American Culture. W. W. Norton and Company, Inc. ISBN 978-0-393-06675-3.
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Reed, John (September 19, 2007). " DVD Review: Saturday Night Fever (30th Anniversary Special Collector's Edition) ". Blogcritics.
Disco Cherry - Etsy Disco Cherry - Etsy
Designed by Michael Robson and mastered by Simon Murphy this is the definitive collection of the dancefloor sounds of 1975. The best of 1976, 1977, 1978 and 1979 will follow. Rodgers, Nile (2011). Le Freak: An Upside Down Story of Family, Disco, and Destiny. Spiegel & Grau. ISBN 978-0385529655. In Chicago, the Step By Step disco dance TV show was launched with the sponsorship support of the Coca-Cola company. Produced in the same studio that Don Cornelius used for the nationally syndicated dance/music television show, Soul Train, Step by Step's audience grew and the show became a success. The dynamic dance duo of Robin and Reggie led the show. The pair spent the week teaching disco dancing to dancers in the disco clubs. The instructional show aired on Saturday mornings and had a strong following. Its viewers would stay up all night on Fridays so they could be on the set the next morning, ready to return to the disco on Saturday night knowing with the latest personalized steps. The producers of the show, John Reid and Greg Roselli, routinely made appearances at disco functions with Robin and Reggie to scout out new dancing talent and promote upcoming events such as "Disco Night at White Sox Park".a b c d e "Disco Music Genre Overview – AllMusic". AllMusic. Archived from the original on October 19, 2017 . Retrieved October 27, 2017.
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The "disco sound" was much more costly to produce than many of the other popular music genres from the 1970s. Unlike the simpler, four-piece-band sound of funk, soul music of the late 1960s or the small jazz organ trios, disco music often included a large band, with several chordal instruments (guitar, keyboards, synthesizer), several drum or percussion instruments (drumkit, Latin percussion, electronic drums), a horn section, a string orchestra, and a variety of " classical" solo instruments (for example, flute, piccolo, and so on).
a b c d e f "Disco Fashion: That's the way They Liked It". The Ultimate History Project. Archived from the original on October 6, 2017 . Retrieved October 27, 2017.
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